The first shoot of "Fit · A Wood and a tool" was successfully concluded on July 18, and was widely recognized by many participants for its exquisite materials and the integration of classical and modern design。The second round of "Fit · a wood and a tool" will continue the concept of the previous period and launch 17 pieces (groups) of furniture, all of which start at the price of 1,000 yuan。

　　The display and use of classical furniture can be seen in traditional Chinese paintings, murals and woodcut printing, such as "Song Huizong Zhao Ji's" Listening to Qin "collected in the Palace Museum in Beijing is a typical representative。

　　"Burning incense" is the portrayal of the noble pursuit of elegant life in ancient times, so elegant, incense burning stove incense is essential。Incense belongs to the high-foot furniture, whether placed indoors or outdoors, mostly separately furnished, without dependence on all sides。

　　The original of this book comes from the Song Huizong Zhao Ji's "Listening to Qin". It is an interesting thing to restore this famous and widely quoted Xiang Ji。Using black wood, single plate gold silk Nanmu several sides, can be placed incense burner。Add a touch of decoration to the simple lines by installing cloud inside the calabash door。The four legs are slender, slightly lateral, and there is a smooth cheng in the middle and upper part, firm and firm, and not monotonous。

　　"New" classical furniture is the integration of modern elements in the style of classical furniture, in line with the modern aesthetic, drawing from the classical style, with the color experience of today's people, clever collocation and application。The presentation of block surfaces and lines in geometric form, the combination of soft and hard materials and the depth of wood color, and the integration of practicality and appreciation are the visual attitudes pursued by furniture designers today。The second round of "Fit · One wood and one tool" will use this design idea to once again narrow the distance between classical and contemporary。

　　The fragrant table is flat on four sides, the lines are crisp and simple。The use of ebony frame is deeply in line with the simplicity of the whole device, which shows the ingenuity of the design。

　　The tabletop is black persimmon wood single board, the texture is like ink landscape, and such as the quicksand on the shore of Shuting, or such as autumn water, the picture is enchanting。Four-legged and slender, Bawangcheng's application ensures the ethereal form and the use of space under the table, with the arrow leg at the end of the foot, and the vision is smooth and perfect。

　　Ebony inlaid marble round round table, desktop marble, clouds steaming Xianyu Wei, majestic, like a picture。Table wood, with white marble contrast, interesting。The use of round wrapped round structure, edge, spread stack side type, binding leg cheng, which is embedded in the cannon cave type fish gate of the ribbon ring plate, along the edge of the sun line。Teeth and legs are round, the form and language are harmonious and unified。The whole machine line smooth and smooth, quite aesthetic, fine workmanship, meaningful durable。 

　　The plate foot style is a very early furniture in Chinese history。This several inherited the antique shape of the ancient board foot, with black persimmon wood as a material, the shape is simple, three plates by mortise and tenon connection and become a classic Ming style furniture, very durable。

 　　Desktop black persimmon wood texture, like the water clear sand white river, poetic。The board foot above the dug rectangular light, the sole of the book, is the furnishings of the contemporary literati study。The clever thing is that the black persimmon wood is wrapped with ebony along the edge, which fits with the black silk of the black persimmon wood and is just right。 

　　The small table is made of acid branch wood, and the desktop is also creatively made of black acid branch, the wood grain is undulating like mountains, and the round lattice Angle is exquisite。No bundle waist, Luo pot cheng a wood digging, embedded double short old。Four-legged, slightly side-footed, straight to the ground。

　　The rounded corner cabinet is small and delicate, the frame is black acid branch, the door panel and the wall are made of gold wire nan, the color is deep and quiet。Cabinet foot side Angle marked, with latch, no cabinet chamber。The whole A shape, so that the door can be closed by itself。The door of the single cabinet is inlaid with rectangular face leaf and hollow tag。

 　　The door is divided into two layers, can be placed literary games, ancient books and so on。Two drawers are lined up horizontally under the first partition to enhance practicality。The whole device highlights the simple beauty of Ming style furniture line and surface through the crisp lines and the symmetry of the proportion of the frame。

　　The facades of the straight sides of the table top have mortises to accommodate the tenon, which are joined together to form a round table between the two crescent tables。

　　Black acid branch gold silk Nan no belt supporting mud crescent table pairs, the use of shoulder tenon structure, leg shape to take bill foot。There are small feet with supporting mud and supporting mud, the structure is rigorous and very solid。They or in the form of half a month table wall furnishings, the table placed aromatherapy, vase flowers, a scene of their own;Or form a round table to use, flexible。 

　　This table has one leg and three teeth type, which is a kind of square table without girdle waist. The four corners of the legs and feet are retracted, more than one tooth head, four legs and eight 挓, which retains the form of large wooden beam frame of the building。The desktop is inlaid with a single plate beech surface, cleverly embedded black acid branch small material, like the ink plum blossom, dead wood appreciation stone, into the Song painting artistic conception。The position of the tooth head in the three-tooth table on one leg is also Song style, which shows the ingenuity of the design。

　　Flat head case made of acid branch wood, large size, reading and painting are free。Save the veneer core on the surface of the case, while wiping the middle concave, pressing a smooth line to the bottom。 

　　Clamp tenon structure, anhua leaf grain cloud head teeth, smooth and smooth Yang line along the edge, in addition, no superfluous decoration, fully show the beautiful nature of wood grain。The four legs have slightly side feet, and the two legs have double ladders between the feet。This flat-head case is simple and natural, and the local curve changes are extremely rich, which contains the essence of Ming furniture and is quite elegant。

　　This chest of drawers, the use of black acid branch and persimmon wood collocation, light color on the bottom heavy。The texture of the black persimmon wood is varied, there are linear fine lines, curly moire and irregular landscape pattern. The drawer face of this lot presents water ripples and landscape pattern, which is full of poetry。24 deep drawers, practical and aesthetic。The base is made of black acid branch, flat on four sides, overwang Cheng, arrow legs, simple and bright。

　　Choose the red color of sour branch wood production, relying on the back board using the bucket technique, with short wood to collect the cross and square corner alternating pattern, the surface is full and round。This bed material selection and construction are fine, appropriate proportion, giving people a strong feeling。

　　Seat surface soft drawer, edge spread ice tray along the upper and lower to the bottom pressure line。There is a bundle of waist, plain teeth, teeth, feet round grid Angle intersect, four legs square, the bottom of the solid horseshoe foot, landing steady。This bed in the center of the sole, are chiseled with a drain sink, the greatest protection to prevent furniture deformation and cracking。

　　Hexagonal chair, also in ancient times, belongs to the variant of the official hat chair。

　　This chair pairs, the wood used for dense texture and light color of sour branch wood。All round, no carvings。The back and armrests are covered with mullions, and the side feet of the six legs are neat and uniform, the language is consistent, and the vision is unified。The pin is drawn down, strengthening the sense of stability, and the jaw is drawn down。The whole machine is polished carefully, the edges are round and smooth, the shape is elegant, and the taste is fresh。

　　A chair with a wide seating surface, 趺坐 and large volume is called a "zen chair".。This chair is made of sour branch wood, like a large southern official hat chair。The head and the armrest are very open。The seat surface is wide, the drawer is soft, the disc is more comfortable, and there are two wearing belts under it。Smooth edge without carving, nor pressure line。Anluo pot Cheng inlaid short old, leg foot outside round inside square, Shi Bubugao cheng, positive foot cheng and on both sides of Cheng under the knife teeth plate。The style of the whole device is clear and the form is concise。

 　　Sour branch wood square four years old official hat chair, the size is huge, giving a sense of stability of the image, reflecting the spirit and tolerance。The selection of sour branches with texture like tiger skin markings, magnificent and vigorous, and the momentum of the whole instrument。Its whole body is made of square materials, which is a highlight。The whole machine has no decorations, and wins with a unique shape and beautiful texture。

　　The special inclusive, in addition to focusing on the design of wood, line and surface collocation of good examples, but also special collection of classical shape, Ming style notable furniture, but also decorated with several exquisite chic small pieces of furniture, can be described as large and powerful, small subtle。

　　All bearing plate is a microcosm of Ming style furniture, because elegant and practical, for literati love。This disk square, four sides of the railing caused by the well Lingzi lattice, Beijing artisan called windmill type。Under the drawer two sets, the selection of wood grain flow, gorgeous golden silk nanmu。The other three walls are made of whole plates。The whole device is designed from the elements of Ming style furniture, with strict mortise and tenon, which is a good work for old desk and placing text。Selection of ebony and gold silk nan match, pleasing to the eye。

　　Ming style waist stool, in the structure absorbed the building of large wooden beam structure, four legs eight 挓, the use of thick wood, giving people a sense of thick stability。

　　This group of modern design, inherit the past and accommodate the present。Single plate thick surface, made of beech with beautiful and clear texture。The four-legged side feet are remarkable, the cloud ear tooth head is simple and lovely, and the straight cheng below the tooth head emphasizes the sense of architecture and originality。Legs and feet on both sides of the double ladder cheng, to strengthen the use。

　　Nowadays, people have their own attitudes towards classical cognition。The black acid beech round stool pairs, which integrates the designer's concept of inheritance。The beech was used as the sitting surface, and the black acid branches were used for the wood strips and supporting mud。In the Ming and Qing dynasties, this mullion style sitting pier actually absorbed the mullion window and bird cage construction method, not the traditional mullion style, but the upper and lower mullion, forming a sense of fullness, the bottom view, like flowers in full bloom。In the shape design and rational use of wood, commendable, ingenuity。

　　No matter how different our understanding of inheritance and innovation is, we all sincerely hope that through "fit · One wood and one tool", we can let excellent traditional crafts and culture enter our daily life。